Schiefe Zähne

Richard Sides

Works

Richard Sides2 x Bridget Riley-style Op Art & FLAT EARTH, 2022acrylic and varnish on mdf, clamp folder with laminatedmixed media, artist made aluminum frame90 × 120 cm

Richard Sides
2 × Bridget Riley-style Op Art & FLAT EARTH, 2022
acrylic and varnish on mdf, clamp folder with laminated
mixed media, artist made aluminum frame
90 × 120 cm

Richard SidesOut of Time, 2022acrylic and printed matter on mdf on wood, artist made aluminum frame 60 × 230 cm

Richard Sides
Out of Time, 2022
acrylic and printed matter on mdf on wood,
artist made aluminum frame
60 × 230 cm

Richard SidesTrash Atlas, 2021Card packaging, wood, foam insulation, resin, acrylic paint75 x 170 x 45 cm

Richard Sides
Trash Atlas, 2021
Card packaging, wood, foam insulation, resin, acrylic paint
75 × 170 × 45 cm

Richard SidesThe Daily Mirror, 2021Installation with two-channel HD video (58:52min), sound, mirror, carpet, wood

Richard Sides
The Daily Mirror, 2021
Installation with two-channel HD video (58:52min), sound, mirror, carpet, wood

Installation View at Fluentum Collection, Berlin; Photo: Stefan Korte

Richard SidesThe Daily Mirror, 2021Installation with two-channel HD video (58:52min), sound, mirror, carpet, wood

Richard Sides
The Daily Mirror, 2021
Installation with two-channel HD video (58:52min), sound, mirror, carpet, wood

Installation View at Fluentum Collection, Berlin; Photo: Stefan Korte

Richard Sides Somewhere out there in the wilderness through the context of your own life, 2020 acrylic, spray paint, paper and C-print on canvas 100 × 100 cm

Richard Sides
Somewhere out there in the wilderness through the context of your own life, 2020
acrylic, spray paint, paper and C-print on canvas
100 × 100 cm

Richard SidesYour love feels, 2021 concrete, pigment, 25 × 24 × 4,5 cm

Richard Sides
Your love feels, 2021
concrete, pigment, 25 × 24 × 4,5 cm

Richard SidesStern, 2021acrylic on canvas, magazine pages 100 × 100 cm

Richard Sides
Stern, 2021
acrylic on canvas, magazine pages
100 × 100 cm

Richard SidesDiavolo, 2021cardboard, wood, metal, resin90 × 85 × 30 cm

Richard Sides
Diavolo, 2021
cardboard, wood, metal, resin
90 × 85 × 30 cm

Richard SidesCity & Structure, 2021acrylic, magazine pages, wood157 × 99 × 5 cm

Richard Sides
City & Structure, 2021
acrylic, magazine pages, wood
157 × 99 × 5 cm

Richard Sides
Richard Sidesphone dick (chillax), 2019 Mixed media, 130 x 100 x 20 cm

Richard Sides
phone dick (chillax), 2019
Mixed media, 130 × 100 × 20 cm

Richard SidesUntitled (Drew Barrymore digital ultraviolence DRUGS City life Keep calm...)’, 2018laminated mixed media, 60 x 42,5 cm

Richard Sides
Untitled (Drew Barrymore digital ultraviolence DRUGS City life Keep calm...)’, 2018
laminated mixed media, 60 × 42,5 cm

Richard SidesProfit is the logical sequence, 2019Card, paper, marker, inkjet print, adhesive 25 x 34 cm (framed)

Richard Sides
Profit is the logical sequence, 2019
Card, paper, marker, inkjet print, adhesive
25 × 34 cm (framed)

Exhibitions

Richard Sides

Dwelling

Kunstverein Braunschweig, Braunschweig, Germany

December 7 – August 16, 2019

Curated by Raoul Klooker

Richard Sides

BUG OUT

Stuart Middleton, Richard Sides, Angharad Williams

with 3fragments, Iris Bauer and Theo Burt

August 18 – 31, 2018

Richard Sides

Li(f)e

Quintessa Matranga, Lukas Quietzsch, Mindy Rose Schwartz, Richard Sides, Diamond Stingily, Issy Wood

Conceived by Richard Sides and Lukas Quietzsch Condo London • Queer Thoughts and Schiefe Zähne hosted by Carlos/Ishikawa

January 13 – February 10, 2018

Richard Sides

Press

Richard Sides

born 1985, UK
Lives and works in Berlin

Education

  • 2008

    BA (Hons) Contemporary Fine Art, Sheffield Hallam, UK

  • 2012

    MA Sculpture, Royal College of Art, London, UK

Solo and Two-Person Exhibitions

  • 2021

    The Matrix, Schiefe Zähne, Berlin, Germany

  • 2019

    Dwelling, Kunstverein Braunschweig, Germany

  • 2018

    DUO SHOW: Reduced to Clear (with Gili Tal), 3236RLS, London, UK

  • 2017

    PURE HATE, Liszt, Berlin, Germany

  • 2016

    INVISIBLE WORLD, Carlos/Ishikawa, London, UK
    Owned by No One, Caro Sposo, Paris, France

  • 2014

    Don’t Blow it in the Vector, Kunsthalle Winterthur, Switzerland
    happiness happening hunting, tongewölbe T25, Ingolstadt, Germany
    Frame, Frieze New York, USA

  • 2013

    the omega point just ate his brains…, Carlos/Ishikawa, London, UK

  • 2012

    Stop Killing my Buzz, Zabludowicz Collection, London, UK
    He tried to be a nice guy, but it just didn’t work out..., RCA, London, UK

Groups Exhibitions / Curatorial Projects

  • 2022

    Basel Social Club, Basel, Suisse
    SPRING EQUINOX, Suns Works, Zurich, Switzerland
    Minimal Input: Algorithmic Art Gathering, C-LAB, Taipei, Taiwan
    The Wig, Bonner Kunstverein, Bonn, Germany
    The Wig
    , Mostyn, Wales, UK

  • 2021

    The 2021 ars viva award (part 2), Kunstverein Hannover, Germany
    Jahresgaben, Kunstverein Für die Rheinlande und Westfalen, Düsseldorf, Germany
    Paradis, Claude Balls Int, La Maison R&C, Marseille, France
    Time Without End, Fluentum, Berlin, Germany
    Buffers, Schiefe Zähne invited by Contemporary Fine Arts (CFA), Berlin, Germany
    Tourism, Kunsthaus Glarus, Switzerland

  • 2020

    The 2021 ars viva award (part 1): Rob Crosse, Richard Sides, Sung Tieu, Museum Angewandte Kunst, Frankfurt am Main, Germany
    Tokyo Detroit Berlin, Tokyo Arts and Space (Museum of Contemporary Art Tokyo, Tokyo Metropolitan Foundation for History and Culture), Tokyo, Japan
    Bureau de Change, Campoli Presti, London, UK
    KASTEN, Stadtgalerie, Bern, Switzerland

  • 2019

    Clipping the Din, curated by Daniel Baumann, Matthew Hanson, Kathrin Bentele (as part of curated by 2019 — Circulation), Galerie Krinzinger, Vienna, Austria
    Emotion is an Unlimited Resource, Stadtgalerie, Bern, Switzerland

  • 2018

    As much about forgetting, Viborg Kunsthal, Denmark
    BUG OUT, Schiefe Zähne, Berlin, Germany
    READYMADES BELONG TO EVERYONE, Swiss Institute, New York, USA
    EURO, Haus zur Liebe, Berlin, Germany
    Hack, Kiefholzstr 402, Berlin, Germany
    li(f)e (conceived by Richard Sides and Lukas Quietzsch), Carlos Ishikawa hosting Queer Thoughts & Schiefe Zähne, Condo London, UK

  • 2017

    Death Lolz, Ludlow38, New York, USA
    Vegans, China Chalet, New York, USA
    Kleingeld, Rolando Anselmi, Berlin, Germany
    Scattered Disk, Center for Contemporary Art Futura, Prague, Czech Republic
    Geometry of Now, (curated by Mark Fell), V-A-C foundation, Moscow, Russia
    TISCH (with Max Ruf), Kiefholzstr 401, Berlin, Germany

  • 2016

    Up Down Top Bottom Strange and Charm, Art Sheffield, Sheffield, UK
    Rough House. A Woodmill & The Glue Factory (project conceived by Alastair Frazer), Glasgow – International, The Glue Factory, Glasgow, UK
    Rock, Paper, Scissors, Primo Piano, Paris, France
    CONDO Clothes Shop, Carlos/Ishikawa, London, UK, UK
    Plural Melts, Yvon Lambert, Berlin, Germany
    Novel Magazine, Bergen Kunsthall, Bergen, Norway
    Six Memos for the Next Millennium II, A Cave, Mallorca, Spain
    The Enthusiasts, Te Tuhi, Auckland, New Zealand
    Le Bourgeois, 3236rls, London, UK

  • 2015

    The boys the girls and the political (curated by Hana Noorali and Lynton Talbot), Lisson Gallery, London
    The Absolute Outside, Spor Klübü, Berlin, Germany
    euro2015 (with Andrew Munks), The Boiler Room
    Reality Check, Cafe Oto, London, UK
    ITALY, Watch-It Gallery, London, UK
    Rumours @ Rundgang, Städelschule, Frankfurt am Main, Germany

  • 2014

    The mechanical garden and other long encores (a Woodmill production conceived by Naomi Pearce), The Woodmill, London, UK
    World Music (with Steve Bishop), Carlos/Ishikawa, London, UK
    La référence d’objet n’est pas définie à une instance d’objet (with Angharad Williams), Emba – Galerie Edouard Manet, Gennevilliers, Paris, France
    Journal, ICA, London, UK
    Painful zombies quickly watch a jinxed graveyard (with Ian Law and Lorenzo Senni, curated by Almanac), Cripta747, Turin, Italy
    30th Hamburg International Short Film Festival, Hamburg, Germany
    Present Fictions, David Roberts Art Foundation, London, UK

  • 2013

    Kill the Gibson (enjoy voting conservative just to spite chumbawamba), performance as part of Young London 2013, V22, London, UK
    Music made by computers for star systems, Ravenna Planetarium, Italy
    Wendel! Open Your Door, The Woodmill @ CGP London, UK
    YouScreen IScreen UnScreen Sunscreen, Library+, London, UK
    Fortune tellers make a killing nowadays (w/ Angharad Williams), The Lombard Method, Birmingham, UK
    BUS #1, Visions Video Bar, London, UK

  • 2012

    That Was Now, Borusan, Istanbul, Turkey
    Pluto Dreams, Raum, Bologna, Italy
    Kill the Gibson (w/ Mark Fell, Lorenzo Senni, Ben Vida, Simon Werner), Zabludowicz Collection, London, UK
    General Practice, The Woodmill GP, London, UK
    Performance w/ Haroon Mirza, MOMA, Warsaw, Poland
    Stop killing my buzz, Zabludowicz Collection, London, UK
    Kill the Gibson Veil (w/ Jack Lavender, Stuart Middleton, Simon Werner, Angharad Williams), Gallery Vela, London, UK
    Stereopsis, The Drawing Room, London, UK
    Show, RCA 2012, London, UK
    Soundworks, ICA, London, UK
    Kill the Gibson (w/ Sol Archer, Stuart Middleton, Yuri Pattison, Lorenzo Senni), SPACE, London, UK
    Sound Spill, Galerie West, Den Haag, The Netherlands

  • 2011

    GS 3, An Echo Button Event, Chisenhale Gallery, London, UK
    LuckyPDF Live Broadcasts, Frieze Art Fair, London, UK
    Truth (online), or-bits.com
    Gewaltopia and Other Places, Flat Time House, London, UK
    (In the days of the) ROID, Crate Project Space, Margate, UK
    The Joyful System... , SPACE, London, UK
    On Revolutions for the Heavenly Spheres, Supplement Gallery, London, UK
    BYOB, London, UK
    Elephants at The Woodmill - Nicolas Party, The Woodmill, London, UK
    Expanded - Projections by Thorbjorn Andersen, Modtar, Copenhagen, Denmark
    The Present Archive (with Thom O’Nions), The Woodmill, London, UK

  • 2010

    Chromatologies, Rotherham, The Netherlands
    Enjoy Evol, Enjoy Artspace, Leeds, UK
    Initial Points 1, 2 & 3 (Performance), The Woodmill, London, UK
    Systematic Studio Performance, 176 Zabludowicz Collection, London, UK
    Relatively Prime, Galerie Stadtpark, Krems, Austria
    The Devil’s Necktie, The Woodmill, London, UK
    Pale Blue Dot / Mark Fell - Coherence and Proximity, The Woodmill, London, UK
    Man in the Dark (with Alastair Frazer, Thom O’Nions, Naomi Pearce), The Woodmill, London, UK
    Radical Sound Practices, The Woodmill, London, UK
    Reading a Wave (with Thom O’Nions), The Woodmill, London, UK
    There is no solution because there is no problem (with Angharad Williams), Art Sheffield Fringe 2010, Sheffield, UK

  • 2009

    Gestalt II, Outlet Gallery, Manchester, UK
    Sound Spill, S1 Artspace, Sheffield, UK
    A partially joyless carousel of quantics, Supplement Gallery, London, UK